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by Leslie CombemaleFebruary 17, 2018February 17, 2018

Women Rocking Hollywood #WomenInFilm Follow

Promoting #WomenInFilm: Mod/Creator #SDCC panel #WomenRockingHollywood, (since 2013). Writer: @AWFJ / @thecredits Leslie Combemale #CinemaSiren @cinemasirennews

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Kindred @kindredfx ·

25 Nov

FX’s Kindred. All Episodes Streaming 12.13. Only on Hulu. Watch the original series based on Octavia E. Butler’s critically acclaimed novel. #KindredFX

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Alliance of Women Film Journalists #AWFJ @awfj ·

4 Dec

WEEK IN WOMEN: New York Women in Film & Television grants Film Festival awards and Scholarships – Brandy McDonnell reports – ALLIANCE OF WOMEN FILM JOURNALISTS https://awfj.org/blog/2022/11/28/week-in-women-nywift-grants-film-festival-awards-and-scholarships-brandy-mcdonnell-reports/ @BAMOK @NYWIFT @docuqueen @HamptonsFilm @woodstockfilm @SohoFilmFest @SigneBaumane #weekinwomen

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The Credits @thecredits ·

1 Dec

We speak with “Triangle of Sadness” production designer Josefin Åsberg on the look & feel of the film’s three district sections, creating an opulent super yacht, and the various tests they ran to perfect various types of puke:

https://www.motionpictures.org/2022/12/getting-sea-sick-with-triangle-of-sadness-production-designer-josefin-asberg/

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Motion Picture Association @motionpictures ·

2 Dec

Congrats to the creators of #Tár for their continued honors! 🏆

We recently talked to costume designer Bina Daigeler about transforming Cate Blanchett into Lydia Tár, and how her designs tracked Tár's journey from the pinnacle of power into darkness.

🔗: http://mpa.social/tarinterview https://twitter.com/nyfcc/status/1598746799996534787

New York Film Critics Circle @nyfcc

BEST FILM: TÁR

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The Credits @thecredits ·

5 Dec

We speak with #WomenTalking composer Hildur Guðnadóttir (@hildurness) on her deeply personal score for the film, creating music that could be a “vehicle of hope and forward movement,” and working with writer/director Sarah Polley(@realsarahpolley):

https://www.motionpictures.org/2022/12/women-talking-composer-hildur-gudnadottir-on-scoring-sarah-polleys-astonishing-new-film/