On rare occasions, the truly bizarre and the utterly charming intersect. Just such a case can be made for Writer/producer/editor Dava Whisenant’s directorial debut, which mines the strange world of industrial musicals in the new documentary Bathtubs Over Broadway.These productions had their heyday in the 50s through the 70s, and were populated by talented performers …
film review
Jinn Review: Mother-Daughter Magic
Jinn, a new semi-autobiographical film by writer/director Nijla Mu’min, articulates the challenges many face in some form of other in their own lives, and it comes right on time. A coming-of-age drama about a teen grappling with her mother’s conversion to Islam and her own shifting beliefs,. It shows the sides of the religion not …
Boy Erased Review: This New Drama Highlights the Hell of Conversion Therapy
Written for the screen, directed by, and co-starring Joel Edgerton, Boy Erased tackles the subject of conversion therapy camps and in-patient clinics that attempt to alter sexual orientation and gender identity. Starring Lucas Hedges as Jared Eamons, the son of Baptist preacher Marshall (Russell Crowe) and his stay-at-home mom Nancy (Nicole Kidman), the film follows Jared as he …
The Hate U Give Review: Starr Power
Opening in wider release this weekend is the film adaptation of The Hate U Give, the bestselling novel by Angie Thomas. Director George Tillman Jr (Soul Food, Barbershop) brings to the screen the story of Starr Carter (Amandla Stenberg), who is the only eye-witness to the fatal shooting of her childhood best friend Khalil at the …
Crazy Rich Asians movie review: Represention Matters but Charisma Sells
Coming to theaters is the much anticipated movie Crazy Rich Asians, the first all-Asian cast film sent into wide release since 1993’s Joy Luck Club has taken over the entertainment news, which may mean impressive box office numbers. Great. It deserves them. Based on the best-selling Kevin Kwan novel, this Cinderella tale is filled with frothy …
The Miseducation of Cameron Post Review and Interviews: Real Life Horror with a Splash of John Hughes
The Miseducation of Cameron Post, a film based on the 2012 novel of the same name by Emily Danforth, is directed and co-written by queer American-Iranian filmmaker Desiree Akhavan. This Sundance Grand Jury Prize-winning indie tells a story that takes place in 1993 chronicling the misadventures of Cameron (Chloe Grace Moretz), a teen placed in a gay …
Half the Picture Documentary Review: The Struggle and Commitment of Female Filmmakers Beautifully Revealed
Documentarian Amy Adrion has created what amounts to a love letter to female filmmakers in her new film, Half the Picture, which supporters of women in film will love to know is now available on demand*. I was at San Diego Comic-Con last week preparing for and conducting the panel Women Rocking Hollywood, that features women …
Night Comes On Review: A gorgeous study in loss and sisterhood
This weekend you can see the new release Night Comes On on demand. The directorial debut of actress/writer/director Jordana Spiro (of the show Ozarks) is co-written by The Shade Room’s Angelica Nwandu partly based on the experiences of Nwandu’s childhood. It would never had come to fruition without the Sundance Institute’s Directors Lab and other grants, showing once again …
Female Filmmakers at the movies: Leave No Trace & Boundaries
This week in movies sees the release of two films directed by women that focus on family. More specifically, they focus on father/daughter relationships. Leave No Trace and Boundaries are both road films, albeit of different sorts. Cinema Siren reviews them here, revealing who might enjoy them and who might want to avoid them. REVIEW: Leave No Trace I …
Nancy & Ocean’s 8 Movie Reviews: Women Rule these June Joints
Complicated, multi-dimensional female characters are rarely portrayed onscreen. It is even less common to see one that leaves the audience conflicted. Those making decisions in Hollywood think surprises in the form of complicated women can be bad for business. The result is that the 51% of filmgoers, aka WOMEN, are mostly treated to some version of 3 or …