![\"Haifaa](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2022\/07\/Screen-Shot-2022-07-15-at-11.34.32-AM.png\" "\\"Screen")
\n\t![\"Laura](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2023\/07\/5-LauraMerians.jpg\" "\\"5-Laura+Merians\\"")
\n\tLAURA MERIANS GON\u00c7ALVES<\/b>\u00a0is the award-winning cinematographer behind the Darren Aronofsky produced drama Pacified<\/i>\u00a0(aka\u00a0Pacificado<\/i>), which won the Golden Seashell for Best Film at the San Sebasti\u00e1n International Film Festival as well as the Jury Prize for Best Cinematography, resulting in Merians being the first woman in the history of the festival to ever win this award.\u00a0Pacified<\/i>\u00a0then went on to win the Cinematographers’ Debut Competition at the prestigious Camerimage Film Festival. Gon\u00e7alves was a cinematographer for Beyonce’s highly anticipated film,\u00a0Black is King<\/i>. Other credits include the musical John Mulaney & The Sack Lunch Bunch for Netflix and A24, and additional photography on Josephine Decker’s Sundance winning film\u00a0Shirley<\/i>. She was selected as one of the Rising Stars of 2020 by the ASC. Most recently, she lensed episodes of Prime Video’s\u00a0Dead Ringers<\/i>, starring Rachel Weisz.<\/p>\n\t\t\t\t\n\t
\u00a0HAIFAA AL MANSOUR<\/strong>\u00a0is the first female filmmaker in Saudi Arabia and is regarded as one of the most significant cinematic figures in the Kingdom.<\/p>\n She finished her bachelor’s degree in Literature at the American University in Cairo and completed a Master’s degree in Directing and Film Studies from the University of Sydney. The success of her three short films, as well as the international acclaim of her award-winning 2005 documentary Women Without Shadows, influenced a whole new wave of Saudi filmmakers and made the issue of opening cinemas in the Kingdom a front-page discussion. Within the Kingdom her work is both praised and vilified for encouraging discussion on topics generally considered too taboo, like tolerance, the dangers of orthodoxy, and the need for Saudis to take a critical look at their traditional and restrictive culture.<\/p>\n In 2011, she shot her debut narrative feature, ‘Wadjda’, hiding in the back of a van. It would have been impossible for a woman to be seen openly on the street giving orders to men. So, she kept out of sight and used a walkie-talkie. The film was gorgeous, a funny, big-hearted story about a gobby 10-year-old girl who would stop at nothing to get her hands on a bike.\u00a0Wadjda, which she wrote as well as directed, made its world premiere at the 2012 Venice Film Festival; it is the first full-length feature to be shot entirely in Saudi Arabia and through 2013, the only feature-length film made in Saudi Arabia by a female director. ‘Wadjda’ was selected as the Saudi Arabian entry for the Best Foreign Language Film at the 86th Academy Awards, which is the first time Saudi Arabia has submitted a film for the Best Foreign Language Oscar. She went on to direct ‘Mary Shelley’, starring Elle Fanning, which premiered at the 2017 Toronto International Film Festival. Her second Saudi film, ‘The Perfect Candidate’, is another inspiring story of female resistance, this time about a young female doctor who runs, almost by accident, for office in local elections. This time around, following the easing of restrictions segregating men and women, Al-Mansour could work in public.<\/p>\n Al Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.” But even with a packed schedule, her gaze has never left her home country and the burgeoning talent that follows the path she first trod – maintaining a particular focus on the young women making film and television.<\/p>\n\t\t\t\t SAM BAILEY<\/strong><\/p>\n is the Chicago-born, Los Angeles-based writer and director chosen as one of two filmmakers that helmed the Disney+ series\u00a0Ironheart<\/i>.<\/p>\n She began stage acting as a teenager and received her bachelor’s degree from Columbia College Chicago. Frustrated by the quality of roles she was cast in, Sam was inspired to create a sketch that would become\u00a0You’re So Talented, a<\/i>\u00a0semi-autobiographical self-produced web series about a struggling 25-year-old actress in Chicago. It was her first time directing and writing.\u00a0You’re So Talented<\/i>\u00a0was nominated for a Gotham Award in 2015.<\/p>\n In 2017 she co-produced the web series\u00a0Brown Girls<\/i>\u00a0with poet Fatimah Asghar, which starred two young women coming to terms with queer identity, and navigating career and relationships. It was nomination for a 2017 Primetime Emmy Award for Outstanding Short Form Comedy or Drama Series. Bailey and Asghar signed a deal to develop the series with HBO. She co-produced the short documentary film\u00a0Masculine\/Masculine<\/i>\u00a0with Hank Jones at the 2018 LA Film Fest.<\/p>\n Sam has directed on the small screen for shows like\u00a0Diary of a Future President<\/i>,\u00a0Grown-ish<\/i>,\u00a0The Chi, First Wives Club<\/i>, and\u00a0Dear White People<\/i>.<\/p>\n\t\t\t\t Nisha Ganatra<\/strong>\u00a0is a Golden Globe winner and an Emmy nominee for her work as the Director\/Producer for\u00a0Transparent<\/i>.<\/b>\u00a0She is currently in post-production on her film,\u00a0The High Note<\/i>,<\/b>\u00a0for Focus Features starring\u00a0Dakota Johnson\u00a0and\u00a0Tracee Ellis Ross\u00a0with Working Title producing. Nisha most recently directed the film\u00a0Late Night,<\/i> starring\u00a0Emma Thompson\u00a0and\u00a0Mindy Kaling, which premiered at Sundance, sold to Amazon in a record-breaking deal, and garnered the highest streaming numbers of 2019. Nisha’s acclaimed d\u00e9but feature,\u00a0Chutney Popcorn<\/i>\u00a0with\u00a0Jill Hennessy\u00a0and\u00a0Sakina Jaffrey, won Audience Awards at the Berlin International Film Festival, Newport Film Festival, Outfest Los Angeles and many more. Her sophomore feature,\u00a0Cosmopolitan<\/em>,<\/b>\u00a0starring\u00a0Carol Kane\u00a0and\u00a0Roshan Seth, premiered at the South by Southwest Film Festival. On the television side, Nisha directed\u00a0Liz Sarnoff’s pilot,\u00a0Highland<\/i>\u00a0and sold a one-hour drama project to ABC and a half-hour pilot to NBC with\u00a0Amy Poehler\u00a0producing. She was the Co-Executive Producer\/Director for,\u00a0Better Things<\/i>\u00a0with\u00a0Pamela Adlon\u00a0and the Co-Executive Producer\/Director for\u00a0You Me Her<\/i>.<\/b>\u00a0She also created\u00a0Code Academy<\/i>\u00a0for the ITVS\/PBS series\u00a0Futurestates.<\/i> Nisha has directed episodes of\u00a0Girls, Dear White People, Future Man, Mr. Robot, Shameless, Married, Brooklyn 9-9, Last Man On Earth, Love, <\/i>and Black Monday.<\/i><\/p>\n Follow Nisha at @NishaGanatra<\/a> on Twitter!<\/p>\n Follow Nisha at nisha.ganatra<\/a>\u00a0on Instagram!<\/p>\n Visit www.nishaganatra.com<\/a> to learn more about Nisha!<\/p>\n\t\t\t\t Zetna Fuentes <\/strong>is a television and theater director. She most recently directed and executive produced the pilot and second episode of the new Netflix series, “Cursed” based on the illustrated novel by Frank Miller and Thomas Wheeler. Her recent credits include “The Deuce,” “Ray Donovan,” “The Chi,” “Jessica Jones,” “This is Us,” “Bosch,” “Snowfall,” and “Shameless.” Zetna previously directed on daytime dramas, “Guiding Light” and “One Life To Live,” for which she was nominated for three Daytime Emmy Awards. Zetna was born and raised in the Bronx and began her directing career in New York theater working on numerous critically acclaimed O-Broadway productions. She serves on the National Board of the Directors Guild of America.<\/p>\n Visit www.zetnafuentes.com<\/a> to learn more about Zetna!<\/p>\n\t\t\t\t Lauren Wolkstein <\/strong>is a NYC-based filmmaker originally from Baltimore, Maryland. In 2017, her debut feature The Strange Ones<\/i>, starring James Freedson-Jackson and Alex Pettyfer, premiered at SXSW to critical acclaim. She co-directed the film with Christopher Radcliff, based on their Sundance short of the same name. Lauren’s previous shorts, including Social Butterfly <\/i>(Sundance ’13) and Cigarette Candy<\/i> (SXSW ’10 Grand Jury Prize), have played festivals around the world. She is also a television director who served on the directing team for Season 3 of Ava DuVernay’s critically acclaimed series Queen Sugar<\/i>. In 2013,\u00a0Filmmaker Magazine listed her as one of the “25 New Faces of Independent Film.”<\/a>\u00a0Wolkstein is a 2017-2018 Women at Sundance Fellow through the Sundance Institute, and she is a MacDowell Colony Fellow for Summer 2018.\u00a0Lauren received her MFA in film directing from Columbia University and is an associate professor of Film and Media Arts at Temple University.\u00a0<\/p>\n Follow Lauren at @LaurenWolkstein<\/a> on Twitter!<\/p>\n Visit www.laurenwolkstein.com<\/a> to learn more about Lauren!<\/p>\n\t\t\t\t Gina Prince-Bythewood<\/strong><\/p>\n is an award-winning director\/writer\/producer who is one of the most versatile storytellers working in film and television. Known for her authentic character-driven work, Prince-Bythewood has directed and written such influential feature films as “Love & Basketball,” “The Secret Life of Bees,” and “Beyond The Lights.” Upcoming from Prince-Bythewood is the action drama feature, “The Old Guard,” which she directs and stars Charlize Theron and Kiki Layne.\u00a0 A Netflix original feature, it is based on the popular comic book series created by author Greg Rucka and illustrator Leandro Fern\u00e1ndez.\u00a0\u00a0Other recent credits for Prince-Bythewood include the special event series, “Shots Fired,” which she and her husband Reggie Rock Bythewood served as Series Creators and Executive Producers. \u00a0 The ten-hour series for Fox, examined the dangerous aftermath of two racially charged shootings in a small Southern town.\u00a0\u00a0In addition, Prince-Bythewood directed the pilot for Marvel’s “Cloak & Dagger,” which launched to strong reviews and viewers, starring breakout actors Olivia Holt and Aubrey Joseph as two teenagers with newly acquired superpowers who are mysteriously linked to one another. \u00a0An advocate for equal representation in film, Prince-Bythewood funds a scholarship for African American students in the film program at UCLA, her alma mater. <\/p>\n With her latest film The Old Guard<\/a>, she broke all records for the highest viewership on Netflix, and nearly a year later the film is still in the top five of all time.<\/p>\n Follow Gina at @GPBmadeit<\/a> on Twitter!<\/p>\n Follow Gina at GPBmadeit<\/a> on Instagram!<\/p>\n\t\t\t\t Alison Emilio<\/strong>\u00a0is a producer and executive with over 25 years of experience leading entertainment marketing, communications, branding, strategic partnerships, media relations, fundraising, curation, signature event and conference programming, business development, and cultural arts advocacy in the U.S. and Canada. <\/p>\n From 2016 to October 2020, Alison served as Director of ReFrame, a partnership between Sundance Institute and WIF Los Angeles, to advance representation and gender equity in film, TV, and media where she was instrumental in launching and growing ReFrame programs, the ReFrame Stamp for Gender Balanced Production, sponsorship, and coalition of industry Ambassadors, unions, guilds, and corporate partners. She is currently serving her fourth year as Adjunct Faculty at Carnegie Mellon University for their Masters in Entertainment Industry Management (MEIM) Program and also sits on the advisory boards for New York Women in Film & Television (NYWIFT), Mind The Gap (California Film Institute), Horizon Award, Fusion Film Festival, Diverso, and WScripted.<\/p>\n Her executive marketing positions in Toronto, New York and Los Angeles include New Line Cinema as Senior Vice President, Marketing and Communications. She established the U.S. office of the Ontario Media Development Corporation (now Ontario Creates) and was responsible for generating over $150M in production revenues.<\/p>\n Alison served as VP, Marketing and Strategic Partnerships for CreativeFuture as part of a leadership team behind a strategy to re-position and re-launch a creative rights advocacy organization while expanding its coalition and membership, establishing strategic partnerships, and advancing the organization as an independent voice to advocate for artists rights.<\/p>\n Alison serves on the Horizon Award Advisory Board alongside founders Cassian Elwes, Lynette Howell Taylor, and Christine Vachon, whose mission is to advance gender parity in media and provide mentorship for the next generation of female-identifying and non-binary filmmakers. Alison has served as Award Producer from 2015 – 2020 at the Sundance Film Festival.<\/p>\n Follow Alison at @alisonemilio<\/a> on Twitter!<\/p>\n\t\t\t\t Hanelle Culpepper<\/strong>\u00a0is an award-winning director whose credits range from superhero action adventures, to thrillers, to character-driven dramas. In 2019, she was chosen to direct the pilot for\u00a0Star Trek: Picard<\/i>, making her the first woman to launch a new Star Trek series in its 53-year history. Hanelle earned her B.A. from Lake Forest College and her M.A. from USC’s Annenberg School of Communication and Journalism. After working for Oscar-winning screenwriter\/director Callie Khouri, Hanelle participated in the AFI’s Directing Workshop for Women. Her DWW short\u00a0A Single Rose<\/i>\u00a0screened at film festivals worldwide, including the 2004 Cannes Film Festival. Hanelle has helmed multiple independent thrillers, including\u00a0Murder on the 13th Floor<\/i>\u00a0starring Tessa Thompson. Participating in NBC Universal’s Directing Initiative led to an episodic directing role for\u00a0Parenthood<\/i>, and to subsequent television work on\u00a0Counterpart, Mayans M.C., Criminal Minds, Grimm, American Crime, The Flash,<\/i>\u00a0and\u00a0Gotham<\/i>.\u00a0 In 2015, Hanelle was nominated for an Image Award for Outstanding Directing for a Drama Series, and was announced as one of the first directors in the ReFrame Rise mentorship program. She just directed an episode for the new season of NOS4A2, and is currently attached for the pilot of a reimagining of the 70s cult classic TV series\u00a0Kung Fu<\/i>, and has a number of films in development.<\/p>\n Follow Hanelle at\u00a0@Hillview798<\/a>\u00a0on Twitter!<\/p>\n Follow Hanelle on\u00a0HanelleCulpepper<\/a>\u00a0on Instagram!<\/p>\n Visit\u00a0www.hanelleculpepper.com<\/a>\u00a0to learn more about Hanelle!<\/p>\n\t\t\t\t Rosemary Rodriguez<\/strong>\u00a0has built a career working on both her own features and in episodic television. Rosemary has won awards for independent features Acts of Worship and Silver Skies, which she both wrote and directed, and has become one of the go-to guest directors on the small screen.\u00a0 Her credits include Rise, The Walking Dead, Jessica Jones, The Good Wife, and Elementary among many more. Currently she is executive producer and director of three episodes of the brand new Apple TV+ show Home Before Dark. Created by Dana Fox and Dara Resnik, it stars Brooklynn Price and Jim Sturgess as an amateur sleuth and her dad, and it’s based on the real life of young journalist Hilde Lysiak.<\/p>\n Follow Angela at\u00a0@rosemarydirects<\/a>\u00a0on Twitter!<\/p>\n Follow Rosemary on\u00a0rosemarydirects<\/a>\u00a0on Instagram!<\/p>\n\t\t\t\t Jen McGowan<\/strong>‘s most\u00a0recent feature film as director, the survival thriller\u00a0Rust Creek<\/i>, was released in theaters January 2019 by IFC Midnight, and hailed as “the feminist thriller Hollywood needs right now” by Harpers Bazaar. McGowan’s first feature\u00a0Kelly and Cal<\/i>, starring Juliette Lewis and Cybill Shepherd, premiered at SXSW, where she won the Gamechanger Award. The film was released theatrically by IFC Films to rave reviews.\u00a0 In partnership with Level Forward, she is the creator of Glass Elevator, an international skill-sharing, networking & jobs resource for professional women in film & television. With over 4000 members, Glass Elevator was named Best in LA by LA Weekly, is part of the Sundance Women’s Initiative Resource, and was featured in Forbes. Take the Lead Foundation identified McGowan one of 50 Women Who Will Change the World in Media & Entertainment, and WeForShe selected her for the 2019 DirectHer program. A Film Independent Fellow, finalist for the Clint Eastwood Filmmakers Award, and recipient of the AWD Breakout Award for Excellence in Directing, she was named one of Vulture’s Women Directors Hollywood Should Be Hiring. McGowan made her scripted television directorial debut with an episode of The Purge for Blumhouse, is currently has several projects in development, and is a director on the upcoming season 2 of\u00a0The Twilight Zone<\/i>.<\/p>\n Follow Jen at\u00a0@IAmJenMcG<\/a>\u00a0on Twitter!<\/p>\n\t\t\t\t![\"Sam](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2023\/07\/2-Sam-Bailey.png\" "\\"2-Sam")
\n\t![\"Nisha](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/06\/4yj0pWWX_400x400.png\" "\\"4yj0pWWX_400x400\\"")
\n\t![\"Zetna](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/06\/Zetna-Fuentes-Headshot-2.jpeg\" "\\"Zetna")
\n\t![\"Lauren](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/06\/LWolkstein_550x550.jpg\" "\\"LWolkstein_550x550\\"")
\n\t![\"Gina](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/06\/GPBAthena-2-2.jpeg\" "\\"GPBAthena-2")
\n\t![\"Alison](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/06\/alisonemlio000.png\" "\\"alisonemlio000\\"")
\n\t![\"Hanelle](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2020\/04\/hanelle0-300x300.png\" "\\"hanelle0\\"")
\n\t![\"Rosemary](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2018\/07\/RosemaryRodriguezP1.1-300x300.jpg\" "\\"RosemaryRodriguezP1.1\\"")
\n\t![\"Jen](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2019\/06\/jenmcgowan001-300x300.jpg\" "\\"jenmcgowan001\\"")
\n\t![\"C](\"https:\/\/womenrockinghollywood.com\/wp-content\/uploads\/2019\/06\/cfitz00-300x300.jpg\" "\\"cfitz00\\"")
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