Such timeliness!Such hotness! Such consent!Yes, the story of the man and women behind the making of Wonder Woman, Professor Marston and the Wonder Women, written and directed by Angela Robinson, is being released this weekend. Wow, is it a fun, fascinating look at folks in the 1940s getting their freak on!Well, not really. It’s true that it’s fun and fascinating.It’s also just a true, partly sweet, partly heartbreaking story of a polyamorous relationship, wherein bondage and roleplaying play a part.It just so happens that out of that relationship, the iconic heroine we all love, Wonder Woman, was born.
Wonder Woman was invented and written by Professor William Moulton Marston, who had also a significant role in the invention of the lie detector test. At the time, and through the rest of his life, he was in a relationship with two women, both of whom bore him children. The three lived together.After Marston died, these two women lived together for the rest of their lives. Marston created Wonder Woman inspired by his wife Elizabeth and their domestic partner, Olive. At her inception, the super heroine Wonder Woman’s storyline had many elements of bondage, strong statements of women’s liberation, and what Marston believed represented female empowerment. It was criticized by the board of censors as sexually perverse. This film shows, as imagined by writer/director Robinson, what the polyamorous life these three people shared together might have been like, including the experience of Elizabeth and Olive falling in love with each other. As you might expect, there is seduction, and lots of steamy sex.
With all this aforementioned sex, you’d think the film would be lurid. I suppose that’s a matter of perspective. I walked away from the Marston movie, which stars Luke Evans as William Moulton Marston, Rebecca Hall as his wife, Elizabeth, and Bella Heathcote as Byrne, feeling like the love scenes were integral to telling their story, not at all gratuitous, and quite tastefully done. I say this even as I remember the three actors trussing each other up in varying degrees of undress while one of them is roleplaying a nurse.
It takes a lot to keep relationships healthy, however constructed they may be, especially in a time when there was little room for opinionated women to express themselves inside or outside the home. The arc of this movie shows just how difficult that can be, especially when not two, but three people are involved, and two of them are powerful women of substance. How beautiful and rare to see women in a sexual relationship together on film that isn’t approached from the male gaze! Sometimes you don’t truly know how badly a subject is represented in Hollywood until you see it done correctly. I can count on one hand the number of films that have lesbian relationships that are complicated, deep, and loving, as well as sexual in a positive way. For that alone, Robinson gets a big, gold star.Or maybe a red one on a gold tiara. I can’t remember a time when I felt so happy seeing a romantic relationship brought to life onscreen.
Robinson, in one of her interviews, inadvertently taught me a new word.She said in portraying the Marstons, she didn’t want to “other-ize” their experience.It’s sad we need a word like that these days, but other-izing in this case would mean making the real-life characters inhabiting this story feel separate, unreachable and unrelatable. It would mean making the film more about their sexuality and less about the love they feel for each other.She and the actors certainly don’t do that.If those who see the film don’t approach it as “Fifty Shades of Superhero”, but rather, they imagine three unorthodox, complicated people who genuinely care about each other, Professor Marston and the Wonder Women can be seen for what it is; a love story.
It is also a study in consent. When Angela was on my panel “Women Rocking Hollywood” at San Diego Comic-Con this summer, she said she became obsessed with it, pouring over research to make sure it was represented correctly. Since she shows the Marstons experimenting with bondage within the context of a loving, healthy sexual relationship, she wanted to be clear when someone was playing at submission, they did so without reservation, and entirely by choice. While the BDSM community has griped in the past about misrepresentation in film, they have had nothing but positive things to say about the Marston movie.
Are you a Wonder Woman fan who wants to experience something new and interesting? Let me suggest Professor Marston and the Wonder Women. It certainly acts as a powerful distraction from our current reality. If it happens you find the leads pleasing to the eye, (and who wouldn’t?) all the better. It will surely add a layer to your understanding of the most beloved female superhero of our time. Regardless of all that, as a film that offers a sex positive portrayal of BDSM and women in love, it is a wonder, indeed.
Women Rocking Hollywood 2017 was Victoria Mahoney, Aurora Guerrero, Tina Mabry, Rosemary Rodriguez, Angela Robinson, Gina Prince-Bythewood, and Kirsten Schaffer. All Hollywood Powerhouses! Such graciousness and talent. It’s incredible to me that at SDCC, in an environment full of famous people and A-listers, I would not trade for anyone within a 5 mile radius, the female directors I spent a day with and featured on the 2nd annual panel of Women Rocking Hollywood. I also can’t imagine most male directors working today being so complimentary and supportive of each other. In fact, Victoria Mahoney said “When one of us rises, we all rise.” That sentiment was reaffirmed and embodied repeatedly by all the panelists. It was an honor to highlight their work and the importance of changing the status quo in Hollywood.
If we have more talented women being hired across all the genres of film and television, we will get more diverse art on screens both large and small.
We had a full house, in fact, we had many people outside who couldn’t get in to the panel. We hope to have a larger room next year, and will also be posting the panel on YouTube and Amazon for those who want to hear the inspiring, positive, and very articulate commentary from these women.
Women Rocking Hollywood was covered by some great outlets both before and after the convention.
The point of this panel and why I wanted to have it at San Diego Comic-Con, the mecca of all things pop culture, is that SDCC is for the fans. It gets fans of all genres and all subjects excited about what’s coming, celebrates what they love, and allows contact with the filmmakers and stars they love. I believe fans can and will have a huge impact on moving us toward a 50/50 balance of women directors, writers, and artists below the line. Fans can force Hollywood and the extended film industry to consider the Bechtel Test and how women are represented. They can do it by voting with they pocketbooks and by word of mouth. SO…follow these women on twitter, see their shows, (like Queen Sugar, which has ALL female directors), support Women in Film:LA, which is doing amazing work towards changing the industry, go out to see new movies created by women at the theater, and promote their projects. For myself, I take it far enough that I don’t see movies without female representation in the crew, unless the film offers some other aspect of diversity, although interestingly, diversity and acceptance/hiring of women for the crew often goes hand in hand (but not always)…
DO I SOUND LIKE A BROKEN RECORD? Well, something more important is broken, and we have to fix it. We can do it together. We don’t have to support crappy untalented directors, either. Every woman on my panel is exceptional and is well-regarded by critics and film academics, and that is just a small sample of the great talent out there.
Here was the panel description:
Women Rocking Hollywood: Women Directors Changing the Face of Film and Television Wonder Woman broke all records in Hollywood for a film helmed by a female directors.Now What? While there’s still a long way to go to equal the number of women behind the camera with women, who make up 51% of the population, shows like Jessica Jones, Queen Sugar, and The Leftovers are making a huge difference by committing to the inclusion of female directors. This 2nd annual panel at SDCC focuses on the incredibly talented, successful women expanding opportunities for women in film who have made noise and winning awards with their work on both the big and small screens. Scheduled to appear: Kirsten Schaffer (exec director, Women in Film: LA) Tina Mabry (writer/producer/director: Queen of the South, director: Dear White People) Rosemary Rodriguez (writer/director: Silver Skies, director: Jessica Jones, The Walking Dead) Victoria Mahoney (director: Queen Sugar, Gypsy, American Crime) Aurora Guerrero (writer/director: Mosquita y Mari, director: Queen Sugar) Angela Robinson (writer/director: Professor Marston and the Wonder Women, True Blood) and Gina Prince-Bythewood (writer/director: Love & Basketball, Beyond the Lights), the first woman of color hired to helm a superhero film for the upcoming Silver & Black.. Moderated by Leslie Combemale (Cinema Siren)
Here are some of the great articles written about it:
The Game of Nerds “Women Rocking Hollywood: SDCC puts female directors front and center”
Paste “Gina Prince-Bythewood is One of the Women Rocking Hollywood”
YES IT WAS A SUCCESS, BUT…women in film have a mountain ahead of them to climb, whether they are directors, or below-the-line crew. Just look at this video, which gives just a tiny look into the experiences they routinely go through:
If you want to see all the “Flip the Script” shorts, go here.
They need fans and film lovers to act as support sherpas on their way up the Everest that is patriarchal Hollywood. It’s up to all of us to help them in all the ways we can by following them on twitter, supporting their films, and loudly echoing each other to become one the voice for equality.
We will be back next year, and will cover women-centric and female written and directed projects throughout the year, both on Cinema Siren and WomenRockingHollywood.com.
We are pleased and so excited to announce our panel, date, and time of the 2nd annual Women Rocking Hollywood panel at SDCC! We were thrilled to once again partner with Women in Film: LA, with executive director Kirsten Schaffer once again on the panel, OWN and the folks producing Queen Sugar to bring 2 directors from the show, some super powerful women directors representing some of the best shows and movies on now and coming soon!! We also are grateful for Wattpad for sponsoring the panel.
We hope those of you who will be there will come see the panel, and as with last year, we’ll be filming it so those of you who can’t make it will be able to watch it on YouTube, hear their wisdom, insights, and their excitement about their current and upcoming projects!!
Here’s the description of Women Rocking Hollywood, which takes place on Saturday, July 22nd:
1:00-2:00 Women Rocking Hollywood: Women Directors Changing the Face of Film and Television Wonder Woman broke all records in Hollywood for a film helmed by a female directors.Now What? While there’s still a long way to go to equal the number of women behind the camera with women, who make up 51% of the population, shows like Jessica Jones, Queen Sugar, and The Leftovers are making a huge difference by committing to the inclusion of female directors. This 2nd annual panel at SDCC focuses on the incredibly talented, successful women expanding opportunities for women in film who have made noise and winning awards with their work on both the big and small screens. Scheduled to appear: Kirsten Schaffer (exec director, Women in Film: LA) Tina Mabry (writer/producer/director: Queen of the South, director: Dear White People) Rosemary Rodriguez (writer/director: Silver Skies, director: Jessica Jones, The Walking Dead) Victoria Mahoney (director: Queen Sugar, Gypsy, American Crime) Aurora Guerrero (writer/director: Mosquita y Mari, director: Queen Sugar) Angela Robinson (writer/director: Professor Marston and the Wonder Women, True Blood) and Gina Prince-Bythewood (writer/director: Love & Basketball, Beyond the Lights), the first woman of color hired to helm a superhero film for the upcoming Silver & Black.. Moderated by Leslie Combemale (Cinema Siren). Room 23ABC
IF YOU’LL BE AT SAN DIEGO COMIC-CON, put the panel on your schedule and show your LOVE for women in film!
A NEW COMIC-CON PANEL “WOMEN ROCKING HOLLYWOOD” inspires, and celebrates the power of women to create great art and bring equality to the film industry.
The inaugural panel of Women Rocking Hollywood, which took place at Comic-Con International: San Diego on Saturday, July 23rd, which was sponsored by Wattpad, was an unqualified success, delivered to a packed house. The enthusiastic audience heard from a diverse panel of women changing the industry from the inside.Women Rocking Hollywood was the only panel with official representation from both Marvel Studios and DC Entertainment. Leave it to the powerful women in the film business to turn what is often portrayed as a rivalry into a cooperative exploration of how all studios can make the industry more inclusive!
With the release of Suicide Squad, and the recent official announcement of Brie Larson as Captain Marvel, Women Rocking Hollywood, which included the executive producers for both films, Deborah Snyder for the former, and Victoria Alonso for the latter, couldn’t be more timely.The entire panel had strong, influential members of the film industry.Catherine Hardwicke currently holds the box office record for the highest grossing opening by a female director with Twilight.She more recently racked up over 33 million views for the short film that accompanies Lady Gaga’s award-winning song “Til it Happen to You”.Angela Robinson, who currently writes for How to Get Away With Murder, has directed episodes of True Blood, The L Word and Hung. She was the first out lesbian to direct a Disney family comedy with Herbie Fully Loaded. Also speaking was Kirsten Schaffer, executive director of Women in Film: LA, the non-profit organization working to bring equal representation of women within the global entertainment, communication, and media industries.WIF has spread the word through their initiative #52FilmsbyWomen.Women Rocking Hollywood was moderated by Leslie Combemale, who has years of experience curating panels at SDCC and writes as Cinema Siren, and has recently created a website for the panel.
The panel began with WIF: LA’s Kirsten Schaffer, who discussed the statistics for women currently working in the film industry.She referred to a study by USC released in February of 2016, which reported, among other startling statistics, that only 15.2% of directors in the industry are women, with 3.4% in film, and 17% in television.Women in Film: LA is dedicated to helping change that, and has launched a systemic change project within the industry to increase those numbers.She invited the audience, as well as those who watch the panel post-convention, to pledge to seeing #52FilmsbyWomen.She also mentioned the a tee designed by The Vikings’ Catherine Winnick, and all profits from sales go to Women in Film.
“It took a hundred years to build the studio system that works the way that it does, and it thousands and thousands of years to build a patriarchy, so it’s going to take a little while for us to move those numbers, but I really believe that with the people who have already made commitments to moving those numbers, that over the next years, as these reports come out, we’re going to see dramatic shifts in those numbers.”
Deborah Snyder is one of the most powerful producers involved in making the current and upcoming crop of superhero films at Warner Brothers, and is one of the producers of 2017’s Wonder Woman as well as Justice League, The Flash and Aquaman.She flew in from London from the set of Justice League to be part of the panel.She discussed the importance of and her part in including talented women in the crews of her films, and about mentoring young female filmmakers to inspire them to follow their paths, (which both she and Wonder Woman director Patty Jenkins have done). Snyder mentioned that it is important to not just have women working on female-centric films like Wonder Woman, so on Justice League, they made a conscious effort to hire women for head of department positions, including a female assistant director they hired up from the ranks, whom Snyder knew had the ability and talent.When she asked this new female AD about wanting to work in film, she said, “When I was coming up, there was a woman, I remember going to the movies and I saw her name.I said ‘If I she can do this, I can do this.’”
About hiring women, she says:
“I think it has to be, right now, a conscious decision, and hopefully that will turn into something that we just do, but for now it’s something we need to do.”
Of the women on the current Hollywood A-list she has worked with, Amy Adams, Margot Robbie, and Gal Gadot, she says:
“What’s so beautiful about them, is that they are strong, spirited women making choices that I think empower women empower themselves and it shows they can be strong and beautiful, and you don’t have to be one or the other.”
Victoria Alonso, as the head of physical production at Marvel Studios, has worked on Ant-Man, Iron Man, Guardians of the Galaxy, and pretty much every other film the studio has done.She is executive producing Doctor Strange, Thor: Ragnarok, and Captain Marvel.She is a wonderful example of someone who rose from the bottom, as a production assistant, to the top of the industry.She talked about how she got to where she is by being willing to go the extra mile.“I did every job nobody wanted to do. I was very interested in what people didn’t want to do, because I’m very interested in people.”She told a great story about being mistaken for “the coffee girl”, which is definitely worth watching the panel for, and gave a bit of advice to everyone in the audience she thought the most important thing to remember in the business:
“Don’t let your ego get in the way. The high road makes for a better story, every time, trust me.”
When asked to talk about Captain Marvel, she started speaking in Spanish with a broad smile on her face.Marvel officially announced Brie Larson as the star a few hours later in Hall H.She did say of Marvel,
“You will see things very soon in the coming days and weeks. We have a conscious effort to bring more balance, and by that I don’t just mean women, I mean balance of what I call ‘The United Colors of Benetton’.I long for the day when movies are directed, not because Black Panther is an African story is directed by Ryan Coogler, and not because Captain Marvel is a female story is directed by a woman, I live for the day when all of our stories are directed by all kinds of people.”
Angela Robinson, as a gay black woman, joked about being asked to be on a lot of panels. She related how, early in her career, she realized she could use to her advantage the fact that those she was pitching to didn’t know where to pigeonhole her. She said she would just fill that moment of confusion, when they were trying to figure out where to place her, with words.Before they would write her off by putting her in a box, she was able to focus them on her ideas.
“My mom was always worried it would be hard to not be white, or straight, or whatever, but I always thought it helped me because I wasn’t able to be assigned to a box and I was just able to address the work. People, once you started talking, would just meet you and you could move forward, and be creative, and try to make art.”
Her advice was that It’s always important to be ready.
“They say that when they play your song, be ready to sing. When I got the opportunity, I was prepared.People can help you only when you’re ready to be helped.”
One of her projects she talks of being most excited about, and the only one of the many in the works she can discuss, is called The Players, about the relationship between screen sirens Marlene Dietrich and Greta Garbo.
Catherine Hardwicke, a Texan, has the vibe of your favorite laid-back friend from the South.She studied architecture and film production before becoming a production designer for movies like Vanilla Sky,Three Kings, and Tombstone. She used her own house and props to make the Oscar-nominated Thirteen, which she co-wrote with then-13 year-old Nikki Reed.She talked about how she was able to leverage fan interest in Twilight while she was filming by showing producers articles and blogs put online by fans, and about the power of fandom.
“When we are talking about the power that everyone in this room has, on Twilight for example, no studio in town thought would make money with a young female protagonist. Lionsgate, which was Summit, started looking at all the internet chatter and that there were fans that cared about it, and so every time I would read something online about fans that loved this scene, I would take it in and ask ‘could you give me a few more bucks to make this scene?’ We love the feedback of fans, and it supports what we do.”
Hardwicke also talked about her new connection with the production company ‘We Do it Together’, announced in February, and her part as one of nine female directors creating shorts for the film Together Now.
The panel ended with all those involved putting the suggestion out into the audience and fans to help: creating buzz, following and promoting women working in the industry, and actively connecting with like-minded people who don’t yet know about the new projects of women working inside and outside of Hollywood. They all repeatedly reminded the audience of the power of movie lovers, to call attention to underused talent who deserve a chance on the A-list in all roles in front of and behind the camera.They also mentioned that as Hollywood is a business, their money has power as well.Victoria Alonso specifically suggested buying movie tickets for women-fronted and women-supported films.She, as well as the other panelists, urged women to never give up on getting into the field.Alonso referenced the fact that Marvel Studios president Kevin Feige got denied multiple times before being accepted to film school.“No is temporary”.
Based on post-panel responses, if there was one message that resonated for the audience on this first Women Rocking Hollywood Comic-Con panel, it was the quote Deborah Snyder recalled from her colleague, “If she can can do this, I can do this.”This group of women, who are bringing about great changes, and expanding the artistic output of the film industry to achieve a better balance of voices from both genders, ably demonstrated just that.
Leave it to the women of the world to bring together Marvel and DC in peace and harmony. As if it wasn’t already an embarrassment of riches to have the director of Women in Film LA Kirsten Schaffer, the director of Twilight Catherine Hardwicke, and respected Indie and TV writer/director Angela Robinson on the inaugural Women Rocking Hollywood panel, we also now have both Marvel AND DC represented with Victoria Alonso and Deborah Snyder! Now you really have to drop everything else and come be a part of it!
OUR NEW UPDATED PANEL DESCRIPTION:
Saturday July 23rd:
2:00 – 3:00 Women Rocking Hollywood-This exciting new panel features powerful, talented women changing Hollywood from the inside. As creatives, directors, and producers, they are breaking box office records and showing Hollywood altering the status-quo just makes for better movies. Scheduled to appear are Victoria Alonso (exec producer, Doctor Strange, Captain America: Civil War), Deborah Snyder (producer, Wonder Woman, Justice League) Angela Robinson (writer/director, D.E.B.S., True Blood, How to Get Away With Murder) Catherine Hardwicke (director, Twilight, upcoming Love Letters to the Dead) and Kirsten Schaffer (exec director, Women in Film: LA)talking about positive changes in tinsel town, their work, and future projects. Marvel, DC, blockbusters, indies, and powerful women-This panel brings it all! Moderated by Leslie Combemale of Cinema Siren. Room: 25ABC